Thursday, 15 September 2011

Hut movement: Pricey

I'm all for preserving our nation's heritage, be it a famous building, a tree where gravity was supposedly discovered or the chair in which a TV executive first pitched the notion of Big Brother. Such artefacts are a part of our national identity, intrinsically sewn into our culture and as much a part of us as looting and sleeping with Ryan Giggs.

What I do object to though is well-to-do families bursting into tears and begging for public money to help preserve something which is very much within their moral and financial remit to protect.

This week, Roald Dahl's family have asked for a £500,000 donation to move his writing hut from the bottom of his garden into the museum built in his honour to preserve it. Now, if they were on the bones of their arse, I'm sure we could come to some arrangement to preserve such an important piece of history, but his granddaughter Sophie has to be worth a few quid from her modelling and pouting exploits, plus she could pull rank on her titchy husband Jamie Cullum, who must have a few notes stuffed under his car seat, if only to raise it slightly.

Lest we forget that the Roald Dahl estate must be coining it as well. He was a world-reknowned singer songwriter, and certainly to my mind the greatest exponent of bluegrass music in the Western world*, so I'd be amazed if they couldn't scrape at least a percentage of the sum together to preserve his beloved hut.

There's been a reasonable public outcry at this request, presumably along the same lines as my attitude. In these times of austerity and iPad purchasing we can't afford to be giving money to a wealthy upper-class bunch to move a garage from one place to another. I'm sure in the fullness of time they'll stump up, but you've got to admire their balls at chancing it. What next - the Queen asks to borrow a million quid to wallpaper the guest bedroom? I'll be in my cold, cold grave before that happens - there is no guest bedroom at Buckingham Palace.

* I'm joking of course. Dahl was a straight-up rhythm 'n' blues aficionado.

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